Tuesday, October 16, 2007

 

Branding Elements

If you feel like your re-branding effort might have been missing a few things, look here and see which element you might be missing:

Branding Elements.

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Thursday, May 10, 2007

 

Unfortunately, there's no recipe for originality...

There is no recipe for originality or authenticity, but there are some pointers on how to find it.

Bill Breen's great article for Fast Company hits on a number of smart points that are worth further commentary.

The essence of authenticity, he claims, are in the following points:

There is a unifying theme here: an authentic brand is not a brand that manufactures something that you didn't have before and then sells it to you. Instead a brand is authentic because it encourages the creation of authentic moments in its customers, it is the backdrop for your authentic experiences. Apple doesn't give you authentic injection molded plastic music players, it gives you a music player you can enjoy your favorite music on, a backdrop to the authentic enjoyment you receive.

This final quote helps explain this further:

"Sometimes even the most homogenized of places can evoke a flicker of authenticity. The morning after last fall's congressional elections, the newly elected senator from New Jersey, Robert Menendez, breakfasted at his usual spot, the International House of Pancakes in Union City. Menendez, formerly mayor of Union City, sat in his regular booth, ordered the same breakfast he always orders, and spent an hour catching up with longtime friends.

Few restaurants are more prefab than IHOP, yet there Menendez was, paying homage to a staff that knew his breakfast by heart and to patrons who've watched his kids grow up. On the surface, the Union City franchise is hardly authentic--it's similar to the IHOP in, say, Muncie, Indiana. But the friendships that Menendez has made there are certainly genuine. It's not that Starbucks, Cold Stone Creamery, BMW, Nike, or any other brand is really, really real. What's real are the experiences and the connections that the brands allow us to make--if they give us an honest chance."

A quick look at some authenticity plays from fast company.

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Sunday, April 15, 2007

 

msnbc vs MSNBC

I am behind on the times, but I wanted to make some comments about MSNBC's re-branding to msnbc, and talk a little bit about what I think about this new logo.

I have been critical, recently, of a few logos (Dairy Queen, The Bank of New York and Phoenix)and I have liked a few (such as Citi and Credit Suiss).

So here is a liker.

I am enamored of the new msnbc logo primarily because the old one was so God-forsaken-awful. Unlike some logos where it is hard to put your finger on what exactly is so troubling about it, the old MSNBC one is right there in your face. Lets dissect it and then move on to the new one.


First, the peacock is both lovely and familiar, modern-retro, gentle, and with delicate lines. It has been in my face for so many years I almost can't see it anymore. But next to the clunky barbarous type beside it, it immediately becomes apparent that the ONLY thing that is interesting here is chermayeff & geismar's peacock, the type has gotta go.

Lets look at what is so bad about this type. The S and N are my biggest problems. Stretching them horizontally is simply wrong on so many levels - and it is completely inexplicable until you look below:


Has anyone seens such a cluttered rough mast for a major brand? Basically, in order to produce a vertical box treatment for the logo, the designer did evil with type. So that the S and the N would fit vertically beneath the M, they have been stretched to the M's width. This throws off the balance so that when looking at it, lets say on tv, it is always hard to read.
At the bottom read the word decision, and then try to read the letters in the logo. Feel the difficulty? You have to actually work your way through the logo.


Similarly, the boxed vertical version is even more troubling, it jumbles up before your eyes and almost grows abstract. See how easy it is to read the numbers, the 8 for instance, as opposed to the N?


So for all these good reasons, MSNBC has decided to become msnbc.


msnbc has spoken about why they feel the brand needs an upgrade:

""Msnbc.com inspires consumers to explore the ever-unfolding human story," said Catherine Captain, vice president of marketing, msnbc.com. "The Fuller Spectrum of News campaign speaks to msnbc.com's rich consumer experience, an online environment no other news site offers. It's designed to bring to life compelling, original and even quirky stories, and showcase the diversity of media, sources and platforms consumers discover on the site."

A Fuller Spectrum of News, created with New York-based strategic communications firm SS+K, takes consumers on a lively and colorful journey through msnbc.com. The cross-platform campaign is comprised of broadcast, print and online executions, including banner ads, an online game and an interactive screensaver, in addition to the first branded in-cinema motion sensor game.

"The thing people really love about msnbc.com is the wide range of stories, from Iraq to Angelina Jolie," said Marty Cooke, chief creative officer, SS+K. "Color is a great metaphor and gave us a dynamic way to illustrate the rich variety on the site beyond using the obvious news photos.""

So they aren't fooling around, which is cool, and I think their claim that a "full spectrum" is an equivalent metaphor to "360" or "wide-range" is dead on.

SS+K has done some great work with Lance Armstrong's LIVESTRONG brand, and have also somehow managed to make unicef appealing.

The new logo is set in Gotham, a font used for high-falutin museums and such, and so you might be hoping for a newsier font, something that evokes timeliness or beat reporters clamouring for a scoop; but I am very pleased with how inviting it appears and compared to the old logo I am willing to let nearly anything slide.



The biggest criticism I have seen thus far is that it is too web 2.0. That it is just screaming to have a "beta" stuck on it. While I will grant that point, the logo does so many other things right:
1/ the new logo makes the peacock look better. Or at least doesn't make it look worse.

2/ the new logo is inviting, and to the extent that it is web 2.0 then I am pleased, because msnbc is make a serious stab at more audience participation. So it fits.

3/ The new logo is integrated with a whole new campaign, and this surrounds an exultant use of color:



And that is really nice.

4/ it is genuinely hard to revitalize and change something while retaining the best elements of the predecessor. This new mark does that and I think it is graceful and subtle as well. I feel like it more NBC and maybe more Microsoft than the original, and so this upgrade has left the parentage and legacy improved and intact.

Take a look at what it means to be full spectrum.

Brand New, as always, has some good comments.

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Friday, March 30, 2007

 

Doritos Queen - a dairy queen disaster


The old Dairy queen logo had some compelling features. The typography is startlingly modern, the shape is retro-fifties and the whole package sings "make an awesome well-lit retail sign out of me."

True, the food is now and has always been unadulterated sugar-spiked trash, but that is why we love it, right? The Dairy Queen mystique for me has always had to do with some sort of vague 50's ice-cream parlor RootBeer-float feeling that you get - it is a summer destination in the way that 7-11 never could be, and fun for kids in a way that Royal Farms fails at utterly.

Well our good friends at Dairy Queen weren't satisfied with their terrific logo and so have gone into competition with - cool ranch doritos. And all other snack food.



The new font is nothing special, and I see a little too much Quiznos in the Q and nothing distinctive about the D at all. The only partially acceptable move was to put the trademark "R" in the red shape instead of it dangling out, as it was before.

Usage is problematic because the light swoosh and the dark swoosh make it so that no one color (dark or light) can make the logo pop against the background.

The way the problem was solved below, with a white halo around the whole logo - is just confused and lame.



So whats my takeaway?
"Don't Fix It If It Ain't Broke."
I think that if a change HAD to take place, it could be a change in usage or treatment, perhaps they could even go so far as to animated it and trend towards animated signs, at points of purchase, etc. (Wachovia has done this very elegantly with their logo at ATMs and I admit, it has me thinking of their logo in animated form even with I see it still.)

The OLD OLD logo, just for reference:


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Sunday, March 11, 2007

 

More on the Howard Schultz/Starbucks Memo

NPR did a story this weekend on the Starbucks brouhaha. They went to Pike Market in Seattle to visit the original Starbucks, and it was downright funny because--although the original Starbucks has stayed utterly true to its original incarnation--all the NPR people found the place "soulless" and not very pleasant.

I know, it's NPR people--soulless? C'mon! But it underscores a real issue with this Howard Schultz memo, which is a can't-see-the-coffee-plantation-for-the-trees problem. The "original" Starbucks wasn't all that great, but they had good coffee--so the nostalgic past imagined by the memo is bunkum. The "brand" of Starbucks has actually NEVER been about "the corner coffeehouse"--it's about quality coffee delivered in predictable ways.

Brands are not what marketing people and CEOs think they are. When Starbucks first came up, good coffee just wasn't an option. Props, Starbucks, for making that a standard--and that became the brand. That's great! It doesn't have to be about hanging around in coffeehouses to be a good brand. It can be about standards and quality. Starbucks overextended themselves with new stores, whatever; they put themselves in airports, ok; but they made a lot of money and, as far as I can tell, they still serve the same product with the same attention to detail.

So the narrow-mindedness of this memo is surprising--"it's the chain store thing! It's not a corner coffeehouse experience!" It misses the point entirely. Starbucks IS the McDonalds of coffee now, better or worse; imagining some high-minded goal about "experience" is not going to grow that company. Far better to focus on ongoing quality, sustainable long-term growth strategies, shareholder value, and sticking to core principles. Stop pretending to be cool. It's too late for that. But Starbucks offers predicatable quality, and if they can maintain that (no small task) then they will succeed, and for good reason. If Howard Schultz feels bad about it, he's crying all the way to the bank.

My favorite quote from the whole memo:
"We achieved fresh roasted bagged coffee, but at what cost?"

Um, $8.99 a pound, far as I can tell. And that ain't bad.

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Wednesday, February 28, 2007

 

Commoditization of Starbucks?!? Say it ain't so!

Starbucks chairman Howard Schultz allegedly wrote this memo to CEO Jim Donald earlier this month. There is some doubt in the blogs I have read about its authenticity. Regardless of its lineage, it is a good read and helluva good dissection of an expereince. This is also a fascinating and perceptive look at how business decisions have impacted design and the customer's interaction witha well known brand. The Starbucks experience is a well crafted and highly successful brand and yet it makes mistakes - so here are some to chew on.

------------------------------------------

From: Howard Schultz
Sent: Wednesday, February 14, 2007 10:39 AM Pacific Standard Time
To: Jim Donald
Cc: Anne Saunders; Dave Pace; Dorothy Kim; Gerry Lopez; Jim Alling; Ken Lombard; Martin Coles; Michael Casey; Michelle Gass; Paula Boggs; Sandra Taylor
Subject: The Commoditization of the Starbucks Experience

As you prepare for the FY 08 strategic planning process, I want to share some of my thoughts with you.

Over the past ten years, in order to achieve the growth, development, and scale necessary to go from less than 1,000 stores to 13,000 stores and beyond, we have had to make a series of decisions that, in retrospect, have lead to the watering down of the Starbucks experience, and, what some might call the commoditization of our brand.

Many of these decisions were probably right at the time, and on their own merit would not have created the dilution of the experience; but in this case, the sum is much greater and, unfortunately, much more damaging than the individual pieces. For example, when we went to automatic espresso machines, we solved a major problem in terms of speed of service and efficiency. At the same time, we overlooked the fact that we would remove much of the romance and theatre that was in play with the use of the La Marzocca machines. This specific decision became even more damaging when the height of the machines, which are now in thousands of stores, blocked the visual sight line the customer previously had to watch the drink being made, and for the intimate experience with the barista. This, coupled with the need for fresh roasted coffee in every North America city and every international market, moved us toward the decision and the need for flavor locked packaging. Again, the right decision at the right time, and once again I believe we overlooked the cause and the affect of flavor lock in our stores. We achieved fresh roasted bagged coffee, but at what cost? The loss of aroma -- perhaps the most powerful non-verbal signal we had in our stores; the loss of our people scooping fresh coffee from the bins and grinding it fresh in front of the customer, and once again stripping the store of tradition and our heritage? Then we moved to store design. Clearly we have had to streamline store design to gain efficiencies of scale and to make sure we had the ROI on sales to investment ratios that would satisfy the financial side of our business. However, one of the results has been stores that no longer have the soul of the past and reflect a chain of stores vs. the warm feeling of a neighborhood store. Some people even call our stores sterile, cookie cutter, no longer reflecting the passion our partners feel about our coffee. In fact, I am not sure people today even know we are roasting coffee. You certainly can't get the message from being in our stores. The merchandise, more art than science, is far removed from being the merchant that I believe we can be and certainly at a minimum should support the foundation of our coffee heritage. Some stores don't have coffee grinders, French presses from Bodum, or even coffee filters.
Now that I have provided you with a list of some of the underlying issues that I believe we need to solve, let me say at the outset that we have all been part of these decisions. I take full responsibility myself, but we desperately need to look into the mirror and realize it's time to get back to the core and make the changes necessary to evoke the heritage, the tradition, and the passion that we all have for the true Starbucks experience. While the current state of affairs for the most part is self induced, that has lead to competitors of all kinds, small and large coffee companies, fast food operators, and mom and pops, to position themselves in a way that creates awareness, trial and loyalty of people who previously have been Starbucks customers. This must be eradicated.

I have said for 20 years that our success is not an entitlement and now it's proving to be a reality. Let's be smarter about how we are spending our time, money and resources. Let's get back to the core. Push for innovation and do the things necessary to once again differentiate Starbucks from all others. We source and buy the highest quality coffee. We have built the most trusted brand in coffee in the world, and we have an enormous responsibility to both the people who have come before us and the 150,000 partners and their families who are relying on our stewardship.

Finally, I would like to acknowledge all that you do for Starbucks. Without your passion and commitment, we would not be where we are today.

Onward…

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Friday, February 16, 2007

 

Citi's Identity



The original sketch of the Citi logo, appropriately on a napkin, by Paula Scher (of Pentagram) in 1998.

Citi has announced that it will finally unite under the brand suggested by Pentagram nine years ago. For some this may not be news, but in the slow moving world of Finance not everything is so simple. It has taken a while to realize that a unified brand may make more sense, and even now it is contested, but as the CEO said, "It is how most of our clients think about us already."

The blandness of this announcement is actually a tribute to the deftness with which it was carried off. Instead of an overnight overhaul or a trumpet blasting announcement party, the Citigroup slowly and surely made moves towards the use of the new name and logo until, inevitably, it was the name and logo.

The tension at Citi over the logo was primarily internal. Investment bankers didn't want to be confused with those people who rolled coins at the local branch, and Smith Barney's hotshots felt like they needed to distance themselves from Travelers Insurance. But this internal strife had no bearing on how the firm was seen from the outside. The four letter catchy "Citi" was all that was needed to communicate "money" and "trust" to most - even larger - customers.

This will hardly be the last brand overhaul for Citi. The company is in a somewhat strained condition following allegations of Todd Thompson's ties to CNBC's Maria Bartiromo and after its private bank got kicked out of Japan. There has been a management shakeup as a result, with Sallie Krawcheck effectively accepting a demotion from CFO to the head of the Wealth Management Division.

In an effort to get the kids to play nice, Charles Prince (the CEO) has been trumpeting one culture and one name for over two years. As the soap opera I have recounted above shows, a new brand may not really solve anything. The core issues with Citi all have to do with the fact that its cost base is expanding quicker than its revenue growth. Details for cost cutting will no doubt be announced soon.

The original migration strategy (below) as design in 1998 was considerably slower, and planned to have everything transferred by 2012.

As pentagram's site says, "Working with consultant Michael Wolff, Pentagram’s recommendation was to unify the merged entity under a single, four letter name—Citi—and to adopt a logo that would transform the Travelers’ red umbrella into an arc over the letter “t.” (Not only is that letter Travelers’ initial, but it also is one of the few letters that looks like an umbrella handle!)"

The London and New York offices of pentagram went to great lengths to show Citigroup that this logo conversion would work, including mockups and demonstrations of how it would operate.





Associated with this plan is the sale of the Travelers Umbrella back to St. Paul Travelers, who will probably rename themselves Travelers.

Read More:
Pentagram's announcement
Folding Citi's umbrella
- Forbes

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